Craig Kennet Miller

The popularity of the movie version of the hit Broadway musical Wicked is a testament to the powerful message of the original movie The Wizard of Oz. For the generation raised in the 1950s and 1960s, it was the most-watched movie of its time. Because of a decision by CBS to air the film in prime time once a year, children gathered around the family TV to watch as their parents played bridge with their friends in the other room. While the adults thought it was a fun thing for the kids to do, the kids thought it was another holiday like Christmas or Easter.

As a teenager, I remember singing the songs with my friends at camp and doing the “Yellow Brick Road” dance, walking with our arms linked together. When we were scared, we would say, “Lions, tigers, and bears, oh my.” In college, it wasn’t unusual for us to reenact the most famous scenes from the movie.  The messages of the movie were deeply embedded in our psyche, and events of the time, like the assassinations of President Kennedy, Martin Luther King, Jr., Malcolm X, and Robert Kennedy, brought home the message, “pay no attention to the man behind the curtain.”  Even now, the promises of the great and powerful wizard fail to ring true as suspicion fills the void of uncertainty.

The paradox of The Wizard of Oz centers around Dorothy’s desire to return home, but her home was not like the 1960s personified TV images of family featuring a stay-at-home mom, a breadwinner father, a sibling or two, a dog, and a white picket fence in the front yard. Her non-traditional family consisted of Auntie Em, her uncle Henry, and the workers on the farm.

Today’s Elders Resonate with the Lostness of Dorthy

Today’s elders over age 65 can even more resonate with the lostness of Dorthy than when they were young. Most now are living alone, having lost their parents and a spouse. Most have faced the unsettling reality of being cast aside now that their work is done. Many find themselves disconnected from their children or other family members. The vast majority face impending financial difficulties because they were forced to pay-as-you-go rather than save for retirement.  Rainy days have been a persistent reality as their bank accounts rode the waves of recessions, job losses, family emergencies, and the calamity of a worldwide pandemic followed by crippling inflation.

In Boomer Spirituality: Seven Values for the Second Half of Life, I wrote, “One thing that makes Dorothy such an attractive heroine to boomers is the fact that she is an orphan, the abandoned one who has to find herself. There is within her journey a sense of not being a part of this world, of being just a visitor, not a complete participant. Her whole purpose is to return home, but even home is lacking a father and a mother. 

…Perhaps more than anything else, it is this feeling of lostness that captures the imagination of boomers. For it is only when we recognize our lostness in the modern-day world of Oz that we begin to find meaning in life.”

The Backstory of Oz that Permeates our Culture

As our young people flock to see the story that led to the events of The Wizard of Oz, we should consider the backstory of the message of Oz that still permeates our culture. Trustworthy people are hard to find. Institutions are self-serving. We all have secrets to hide. Family is found in the people you are with. Hope is captured when we listen to our hearts.  The yellow-brick road beckons a brighter future. To get on it, you must step forward with the friends you find on the way.

For it is only when we recognize our lostness in the modern-day world of Oz that we begin to find meaning in life. Craig Kennet Miller, Boomer Spirituality: Seven Values for the Second Half of Life.


Craig Kennet Miller

Lies and Weddings Dines at The Huntington

Kevin Kwan, the author of the bestselling series Crazy Rich Asians, must have been at The Huntington recently.  In his newest book, Lies and Weddings, he places his characters in an engagement party in the Portrait Gallery the Huntington Art Museum.

The book revolves around the Englishman, Rufus Leung Gresham, the future Earl of Greshambury and the son of a former Hong Kong supermodel. At his mother’s urging, he goes on a globetrotting pursuit to find a rich wife who will save the family’s estate, which is facing bankruptcy. As he travels the globe to the weddings of the rich and famous, he longs for his neighborhood friend, Eden Tong, a doctor who lives on the grounds of his house.

As the main characters dine in the Portrait Gallery of The Huntington Art Museum (European), one of the characters remarks on the Kehinde Wiley painting positioned directly across from Gainsborough’s famous Blue Boy. 

“Ah, yes, rather curious that it’s here amid all these stuffy Victorian portraits, isn’t it?” Eden remarked.

“That’s precisely the point, Kehinde painted it to shake things up. To see this Black kid in streetwear, fused into that William Morris wallpaper patterns and striking the exact same pose as The Blue Boy, it’s having a dialogue across the centuries with an iconic portrait of Victorian privilege. It totally transforms this room, makes everything relevant again. Whoever put it here is ……. brilliant.”      Kevin Kwan, “Lies and Weddings”, p. 304.

Kwan’s endorsement through his character, Banks, should give the curators of The Huntington a smile as they receive this literary pat on the back.  Kwan is known for his wit and attention to detail as he sheds light on our current culture.   Making historical art relevant to today’s visitors and art lovers is a goal worthy of pursuing.

The Huntington is a favorite site for visitors to the San Gabriel Valley in Southern California. It features world-class gardens, distinctive art, and a library collection that includes the Gutenberg Bible. Blue Boy and Kehinde are some of its most prized possessions.

Craig Kennet Miller is the author of Memories For My Loved Ones and Boomer Spirituality: Seven Values for the Second Half of Life. He volunteers at The Huntington in San Marino, CA.


Craig Kennet Miller


Craig Kennet Miller

Christmas is the musical highlight of the year. Christmas music is heard whenever you visit the local market, store, or mall. Sometimes, it’s old classics like “Santa Claus is Coming to Town” or a Christmas Carol like “Silent Night.”

One of my favorites is “What Child is This?” written by William Chatterton Dix in 1986, using the tune of the traditional English folk song “Greensleeves.”

A couple of years ago, I was blessed to be working with some very gifted musicians, and I wrote a version of the song called “What Child?”. Music writing is something I have done over the years, especially around Christmas.

In the last year, much has been written about using AI to generate images. So I decided to experiment with Microsoft’s version and combine them with my song. You can see the results by clicking on the image above or using this link: https://youtu.be/0l0xohsqdjc.

I share it with mixed thoughts. On the one hand, the quality of the images is quite remarkable, and the way they helped me capture the spirit of the music was very enlightening. On the other hand, what does this do for illustrators who, in the past, would have been hired to draw these pictures?

Although I didn’t draw these pictures, it did take carefully worded prompts to get the results I was looking for. Each picture used needed several edits to get them just right. I also had to choose between art styles and ended up using the Anime mode. So, there is an element of creativity involved. And I must admit it was a lot of fun to do.

Each Technological Shift Brings Change

Each technological shift brings change. The early Christians used the codex instead of scrolls to share their writing. The codex is an earlier book form that allowed readers to find specific quotes and passages easily. The Gutenberg Bible, the first book printed on a printing press, led to the Protestant Revolution. The computer has shifted our world dramatically, with each of us possessing the computational power it took to send people to the moon in the palm of our hand as we fiddle, scroll, and engage with our smartphones. As AI becomes more universal, it will greatly impact the way we do our work and what we produce.

The question must always be asked, “Do these changes make us better?”

While AI promises much, it is well to remember that the brains, emotions, and physical bodies we have today have not changed much since Jesus’ time. We humans still fear, get angry, feel jealousy, and tend to mess up just like they did way back in 1 AD. Our technology may have changed, but we as a species still need the grace, joy, love, and hope that is found in following the newborn King.


Craig Kennet Miller


Craig Kennet Miller

Just in time for summer, the newest version of Memories For My Loved Ones (Summer) is now available on Amazon.

Featuring the art of Lauri Fernandez, Memories (Summer), like all four versions, is designed to guide you to tell your life story. Raised in Los Angeles, Lauri grew up exploring the beautiful landscapes of Southern California. These experiences gave her an appreciation for the majesty and tranquility of the earth God created. She is continually inspired to create art that reflects nature’s peace, invites contemplation, and lifts the spirit.

Memories is now available with four different covers to allow you to pick the one that best fits you. Each book includes the same prompts and illustrations that guide you through eighteen different topics like Childhood Family and Special Days. As you journal through the material, you will discover new insights about yourself and your life. Once you are finished, you will have a wonderful keepsake to share with your loved ones.


Craig Kennet Miller


Craig Kennet Miller

Memories: Loved Ones

When you see the iconic theme building at the Los Angeles Airport with its distinctive retro space-age design made to look like a ship landing from outer space, you may think of Los Angeles.  When I see it, I think of my dad, Arthur Kennet Miller, who went by the name Kenney.  He oversaw installing all the heating and air conditioning systems in the theme building and many of the LAX structures when the airport opened in 1961.

I often wonder how a boy raised on the farm in Homer, Indiana, who was the designated pool shark at his father’s pool hall in Bagnell, Missouri, when he was 12, and was rejected by the army right after Pearl Harbor because he only had half a thumb, ended up working on many of the significant building projects throughout the LA basin.   

He arrived in Los Angeles in the late 1930s with his family and joined his father in becoming some of the founding members of the Steamfitters Union. Eventually, he became an estimator who oversaw crews of workers throughout Southern California.  I still can smell the fragrance of ammonia emanating from the architectural plans he would spread out on our oversized kitchen table. 

He would measure each stretch of pipe with great perseverance and mark it with its appropriate shade with colored pencils.  Blue for water pipes. Red for gas pipes.  Orange for heating ducts. Green for oxygen and so on.  Then without a calculator or computer, he would add it all up with his pencil and paper as he estimated the cost of installation.  After a bid was accepted, he oversaw each site’s work. He must have been very good at it because his jobs included projects at the Jet Propulsion Laboratory, UCLA, LAX, The Sports Arena, oil refineries, power plants, and many hospitals in the area.  

There were two things that he was big on – integrity and respect.  You were only as good as your word, and you judge people according to their actions, not where they come from.

Rooting for the John Muir Mustangs

Recently, when I attended my high school reunion, a classmate approached me and commented on my father.  During the height of the civil rights unrest in the 1960s, my father co-coached our little league baseball team with Mr. Milton, who was black.  His son was the best pitcher in the league. I can still feel the burn in my glove when we went over to their house and played catcher as Jimmy threw his coveted fastball. Dad was a no-nonsense person who demonstrated his respect for people by the people he worked with in his personal and work life.

I remember when I was in elementary school, my neighborhood friends were white.  In Junior High and High School, they were black.  What happened?  When forced school busing was initiated in Pasadena in the late 1960s, many whites moved out.  There was even a name for it – White Flight.  But my parents didn’t leave; they stayed.  

I think a lot of it had to do with my dad’s love for the football team at John Muir High.  For almost 15 years, while my sisters and I attended Muir, we would go to every home game.  His favorites were the games at the Rose Bowl, especially the Turkey Tussle against the hated Pasadena High School team in their red and white uniforms. My friends liked to make fun of him because of the blue and gold gear he would wear to the games to root for the Mustangs next to my mom, who often waved a small blue and gold pompom.

In college, I worked summers and breaks on construction jobs that my dad was managing.  The men who worked for him showed their love for him by giving his son a hard time.  On one job, they told me to wear my warmest clothes as I would be working near the refrigerator unit.  So, I wore heavy jeans, a flannel shirt, and a warm coat, only to find myself working outside the refrigerator unit next to the boiler, the hottest place in the building.

Dad had a heart attack in his early sixties and had to give up working. He died way too young, at the age of 67.

There is one more story that says a lot about him.  From time to time, he would drive us to a small house somewhere outside of Pasadena.  He told us to wait in the car. He had to see someone.  As a kid, I never knew what he was up to.  One day I got up the courage to ask him what he was doing.  He told me he was visiting one of his workers who had become paralyzed on a job when he fell off a ladder.  He could only move his head and his eyes.

These visits continued for several years until the worker passed away. It wasn’t something Dad had to do.  I am sure he was making sure the family had enough money to live on. He did it because he believed it was the right thing to do.  For him, integrity and respect were more than words. It was seen in what you did. It was who you were.


Craig Kennet Miller


Craig Kennet Miller

Memories: Teenage Bedroom
Craig Kennet Miller

While my friends had posters of Diana Ross, The Beatles, and The Rolling Stones on their bedroom walls, I was a nerd before the term was coined. Prominently displayed was a wall-size poster of the Apollo program showing the steps needed to get the Apollo Astronauts to the moon.  From the launch of the Saturn V Rocket to the lunar landing to the splashdown into the ocean, it was a visual image of what was possible when people dreamed beyond themselves.

It started with President Kennedy’s announcement in 1961 that before the end of the decade, an astronaut would land on the moon. It was an audacious proclamation that was viewed to be impossible by most. His mission statement dominated my imagination in my early teens.

I vividly remember sitting in front of the TV as Walter Cronkite greeted us for each launch of the Gemini and Apollo spacecrafts. There was always a mix of excitement, fear, and awe as we watched launches with the tongues of fire and smoke billowing under the rockets as they blasted into space.  This was followed by a couple of minutes of tension as we watched each ship disappear into space hoping that it wouldn’t blow apart on its way into the sky.

Then there was waiting until each vehicle made its voyage.  Some to simply orbit the earth, some to try out new technology like seeing if the lunar module would dock properly, then the orbit around the moon, and finally, the landing on the moon.

Each voyage would end with a splashdown with threats of disaster to be overcome. Would the heat shields hold?  Would the parachutes deploy?  Would the Navy get to the capsule before it sunk into the ocean?

Star Trek and Planet of the Apes

The cultural impact was seen in TV shows like Star Trek and movies like Planet of the Apes with their alternate views of the future.  Star Trek, which ran from 1966 to 1969 at the height of Apollo, pictured a future where a diversity of people and aliens worked together to create a better future, to go “where no man has gone before.” When it was announced it was canceled, I passed a petition around at school to protest its demise and mailed it to NBC.

Planet of the Apes, whose first film made it into movie theaters in 1968, spawned a total of five movies from 1968 to 1973. It told a very different story, where humankind destroyed itself through its use of nuclear bombs and gave rise to intelligent apes who ruled the world over the hapless humans who survived. It was my favorite movie. I must admit I didn’t see the reveal coming at the end of the movie when Charlton Heston’s character fell to his knees in front of a half-buried Statue of Liberty. He hadn’t traveled to a distant planet, he was back on earth.

While the landing on the moon in the summer of 1969 achieved Kennedy’s goal, for me the most memorable moment happened on Christmas Eve of 1968. As the lunar orbiter came around the dark side of the moon, for the first time in human history, we saw an image of the earth from the moon. As our planet came into focus, astronaut William Anders said, “In the beginning, God created the heaven and the Earth.”

Over one-fourth of the world’s population heard that message as all three astronauts, Anders, Borman, and Lovell Jr., took turns reading verses from Genesis as we watched a live video from space as the edge of the earth appeared from behind the moon. As soon as they got back to Earth, NASA developed its most memorable picture, called Earthrise. It showed a planet with no dividing lines or national boundaries, instead, it made clear that all of us share the same fate as inhabitors of the Earth.

The Contentious Year of 1968

It was a positive capstone to one of the most contentious years in United States history. In 1968 there were the assassinations of Martin Luther King, Jr, and Robert Kennedy. The Vietnam War saw some of its bloodiest battles. Riots raged in our major cities while young people began burning draft cards in protest. A contentious election ended with Nixon as President. As the year ended much was unsettled and there was little to celebrate.

But an image from outer space brought life into focus. A quote from a poem by Archibald MacLeish on Christmas Day 1968 in the New York Times summed it up well, “To see the earth as it truly is, small blue and beautiful in that eternal silence where it floats, is to see ourselves as riders on the earth together, brothers on that bright loveliness in the eternal cold—brothers who know now they are truly brothers.”

Of course, today that quote would not pass muster, as brothers would need to be replaced with another reference to our commonality as humans. But the message remains the same. We all share this planet and how we wage peace instead of war, how we take care of our natural resources impacts the health of this planet, and how we live together in the midst of great diversity foretells the future of the generations to come.

The items you had in your bedroom as a teenager say a lot about your generation. Did you have a typewriter or a computer? A radio or a TV? Musical instruments or sports equipment? What about the clothes you wore? Or posters or pictures on a wall? These all tell alot about what was important to you.
Memories for My Loved Ones: A Guided Journal
Craig Kennet Miller

Craig Kennet Miller


Craig Kennet Miller

Childhood Family

My parent’s best friends were Don and Jane. We would go with them each year to a Dude Ranch in Northern California, where we milked cows, rode horses, and ate at a huge buffet. We were often at their house, which was filled with the aroma of freshly baked bread Jane made every day.

When I was in Fifth Grade, my dad and Don volunteered to teach Sunday School at Holliston Methodist Church in Pasadena. One Sunday, the lesson focused on the 23rd Psalm. Don gave a testimony that I never forgot.

He said, “I was part of a troop of 120 men fighting in the Pacific. As we marched through a canyon, we were surrounded by the enemy. Only two of us survived. During that battle, I kept repeating, ‘Though I walk through the valley of the shadow of death, you are still with me.’ That passage kept me alive.”

We wanted to ask questions, but the look on his face told us that was the extent of what he wanted to share.

Don was one of the millions of Americans that fought in World War II. They were celebrated for their bravery and victory when they came back. But as many of those soldiers’ children, friends, and families can tell you, they did not talk about it. They didn’t want their loved ones to know the horror of war.

Don went on to work at Lockheed and loved to help train horses at the Santa Anita Race Track. As a friend of our family, he was an ongoing presence of stability and support as I grew up. His children, Charlie and Susan were like older siblings to me. And Jane was my mom’s best friend. He was a member of a large group of friends of my parents in our church, who supported each other into their old age.

When he was in his eighties, I visited Don at his house outside San Antonio, Texas. After Jane had died, he moved from Pasadena to be close to his children. He was still in good shape, tall and lean; he still looked like one who had served in the military.

As we talked, he suddenly blurted out, “I didn’t want to kill him. He just popped out of the bushes. We were both surprised. I was the lucky one. I had my gun out. I can still see the look in his eyes. We were just kids.”

Then he went on to talk about his garden.

In his two remarks, he gave me a glimpse of the images of war he carried with him all his life.

On this Memorial Day, as we think about those who have served in war defending our freedom, remember they did so at a cost. Not only do they carry the physical scars of war, but they also hold unspeakable stories deep in their memories, stories that may never see the light of day.

As we remember those who died in war, let us also take special care to listen to those who are still with us. When we say, ‘Thank you for your service,” it is well to keep in mind that although their battles have been fought, the memories of those battles last a lifetime. In some fashion, their sacrifice for our country continues to this day.


Craig Kennet Miller


Craig Kennet Miller

Memories Three: Childhood Family

My parents were master hosts.  They annually held parties at our house for their friends from church.  There was a Space-themed party where guests rode a spaceship constructed out of wooden crates and roller skates into the patio in the backyard.  There was a Roaring Twenties party where my dad put thumbtacks on the hammers in the piano to give it that old-time sound.  My sister Connie sat on top and sang some songs.

The two-story house on Palm Street in Altadena had four bedrooms, five bathrooms, and a large living room.  The kitchen had a table big enough for my dad to roll out construction plans which he poured over with a pencil and a ruler to measure all the pipes that were found in a hospital or a building at JPL as he prepared a bid to win a contract to do all the piping for his steam fitter firm.  

It featured hardwood floors on which my cousins Mark, Brad, and I loved to slide in our socks until the time I got a giant sliver in my heel which sent me to the emergency room.  My dad and Uncle Bob held me down as the doctor pulled the offending object from my foot.  The only upside was that it made a great story at show-and-tell in my kindergarten class.  

The front yard was the neighborhood football field. I’ll never forget the time when I proudly wore my Ram’s football uniform. When I got tackled, my pants came down, revealing my Superman underwear. Worst of all, some girls from the neighborhood were watching us play.

On Halloween, my dad turned the basement into a haunted house. He took great delight in attaching fishing lines to the bushes in front and shaking them just as kids came down the driveway to enter our home.

When my sister Peggy became the head song girl at John Muir High School, the pep band would practice in our backyard on the patio.  I became enamored with the drums when the drummer showed me how to hold the drumsticks.  I was in fifth grade.

Later, when I was in Junior High, our living room was the headquarters for my garage band, The Living Cymbal which featured two trumpets, a flute, a trombone, a piano, and drums.  We specialized in music from Herb Alpert and The Tijuana Brass and Chicago. I often wonder if that’s why my mom lost her hearing in her old age.

It also was the place for family gatherings.  I still can hear the deep Norwegian tones of my Grandfather Hatlen giving the prayer before we ate on Thanksgiving. What made it somewhat unusual was that our table was a plywood board with a tablecloth on top of Dad’s pool table, which was in the dining room. After a couple of years of that, the pool table was regulated to the garage, and the living room got a real table with leaves.

As I reflect on those times, I realize that my childhood family was expanded to include our neighbors, friends from school, people from our church, and our extended family – all who were welcome to our home. My mom always had extra food ready in case one of my friends decided to stay for dinner, and she took great delight in going along with my father’s shenanigans. In my mind’s eye, I can see my dad in his red vest ushering in Santa Claus to surprise us kids on Christmas Eve. On his face was a knowing smile and a twinkle in his eye as he felt the joy of surprising us once again.

Families are tapestries of relationships that support and nurture. Family members can be formal connections on a family tree or neighbors who become second parents. They can be siblings, cousins, aunts, or uncles – any people who were there for you as you grew up.

Memories For My Loved Ones
Craig Kennet Miller

Craig Kennet Miller

Lola's Grit

PART TWO OF THE MEMORIES FOR MY LOVED ONES SERIES

I always thought my Grandma Miller and Dad’s interactions were amusing.  Every Sunday, when we visited her in her trailer at the trailer park on Colorado Street in Pasadena, our time together would end the same way.

Dad would take a $20.00 bill from his wallet and hand it to her.  She would refuse to accept it, and they would have some friendly banter about it until he would give up.  He would put it back in his wallet, but before we left, he would sneak out the $20.00 and hide it behind a pillow on the couch or under a plate on the table.

It was a compromise of some sort. Dad felt good about supporting his mom, and Grandma was able to keep her dignity.  She was determined to make it on her own.

When her husband, my Grandpa Miller, died when he was 53 years old, she was responsible for raising a 12-year-old daughter, my Aunt Mary Jane.  To survive, my grandma, Lola Rose, turned to the skill she had developed when the family lived in Bagnell, Missouri when the Bagnell Dam was built.  While Capp worked on the dam that would form the Lake of the Ozarks, she set up a booth in town where she sold her homemade pies to the construction workers when they finished their shifts.

With the same entrepreneurial spirit, she found jobs making pies in hospitals and rest homes in Pasadena, CA.  My sisters and cousins can still attest to the magnificence of Grandma’s Lemon Meringue Pie.

Growing up on a farm in Indiana, Lola was not educated in the formal sense. Instead, she knew how to knit, sew, cook, and rug hook. 

Her can-do-it attitude was best seen in how she overcame a stroke in her eighties that affected her right hand.  Every day she squeezed a rubber ball until she got back her strength.  Encouraged by her family, she rug-hooked a picture of an old red car and entered it into the Los Angeles County Fair.  She won first prize, a testament to her grit and determination.

Lola Rose was not wealthy by the world’s standards.  She lived alone in her trailer until she needed to move in with my aunt.  She did not speak much, but she let us all know of her love through her actions.  Two of the legacies I still have is the angel she made that goes on top of our Christmas Tree and one of the quilts she made for each of her grandchildren.

Lola Rose’s story has been foundational to my family.  Each of us has people like that in our family tree whose witness reminds us of what it takes to overcome significant obstacles that life throws our way and gives us hope that we, too, have a story to tell that will encourage our loved ones in the future.

Our genetic makeup is a wondrous thing. There is only one copy in the whole universe: you.  In a mysterious happenstance, two strands came together and formed you.  Whether created out of an act of passion, love, or intent, you are one of a kind.

Craig Kennet Miller, Memories For My Loved Ones

Pick a cover that best fits you!


Craig Kennet Miller


Craig Kennet Miller

PART ONE IN THE MEMORIES FOR MY LOVED ONES SERIES

Names are powerful, for they tell us how others see us. We are born with a given name by our family, but along the way, we accumulate a whole list of descriptors that uncover our personalities, quirks, and characteristics.

We may start off as a daughter or son, but over time we may become a sibling, a parent, or a grandparent.

In school and work, we may be labeled as a student or teacher, a clerk or a boss. We may work hard for a degree that gives us the right to be called “Doctor,” or we may win an award that says we are the “Person of the Year.”

At each stage of life, names denote our position in life and the nature of our relationship with others. Because they are so important, we may find ourselves defending the name we see as the one that best defines who we are.

The topic of Names is a great place to start telling your life story. Which of the names that you have been called have had the most influence on you? How have these changed over the years? Which ones affirmed you? Which ones do you wish you never heard? Each name is important, for they are the building blocks of your identity.

You are blessed if you have many names; some are formal, and others are informal. Some were given as a tease or given as a sign of affection. Each name captures something about you.  Your names illuminate the true you.

Craig Kennet Miller
Memories For My Loved Ones: Names

Craig Kennet Miller